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She is no more than an idea and an illusion, but her lack of physical presence makes her no less important to him, recalling that something does exist beyond the concrete. K’s girlfriend is not even a replicant, but exists one step further, as a hologram. Thus, the narrative is constantly questioning what is true and what is not in its attempt to validate humanity. In keeping with the earlier existential questions Deckard was forced to grapple with, 2049 runs with the idea of personhood through the ability to construct real memories based on experiences.
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subsequently makes a discovery that alters the course of the film and brings back the original blade runner, Deckard, played reminiscently by Harrison Ford. Ryan Gosling does not waver in this, but pulls off a fresh and slightly vulnerable performance, balanced with being tough as nails by stepping up to the plate as K., a blade runner who is also the latest version of a replicant, more obedient than the Nexus 6 models from the original film, whom he is tasked with “retiring.” K. AI robots once again highlight what is outstanding about being an autonomous creature/creator with a spiritual component and a conscience – ones who are capable of love. True to form, the otherworldliness of Dennis Villeneuve’s ( Arrival, Sicario) and Ridley Scott’s neo-noir sequel Blade Runner 2049 pays homage to the original 1982 cult-classic blockbuster Blade Runner, as the visual and audio experience is even more evocative, invasive, and unsettling than the first, serving to purposefully draw the viewer into the action around the destitute, claustrophobic reality of the dystopic narrative, where man is the supreme representation of miraculous conceptions in comparison to machines.